Subject: Billy Gilbert and Frank Fay on sale for limited time


Spotlight Scandals (1943)
Starring Billy Gilbert and Frank Fay

Beautiful print and will play in all DVD players.
Director: William Beaudine
Writers: William Beaudine, Beryl Sachs (story and screenplay)

Stars: Billy Gilbert, Frank Fay, Bonnie Baker, Billy Lenhart, Kenneth Brown, Harry Langdon, Iris Adrian, The Radio Rogues, Claudia Dell, Henry King
Songs include:

When You and I Were Young, Maggie
Music by J.A. Butterfield
Lyrics by George W. Johnson

Sung by Billy Gilbert
I Dreamt I Dwelt in Marble Halls
from "The Bohemian Girl"
Music by Michael William Balfe
Lyrics by Alfred Bunn
Sung by Billy Gilbert

Twilight on the Trail
Music by Edward J. Kay
Lyrics by Eddie Cherkose
Performed by Billy Gilbert, Frank Fay, female singer and ensemble

The Restless Age
Written by John Marshall
Sung by Bonnie Baker at the nightclub with Herb Miller and His Orchestra

Oh Johnny, Oh Johnny, Oh!
Music by Abe Olman
Lyrics by Ed Rose
Sung by Bonnie Baker at the nightclub with Herb Miller and His Orchestra

Goodnight, Now
Written by John Marshall
Sung by Bonnie Baker at the radio station with Henry King and His Orchestra

The Lilac Tree
Written by George Gartlan
Sung by Bonnie Baker at the radio station with Henry King and His Orchestra

Why Aren't Millionaires Cute?
Music by Edward J. Kay
Lyrics by Eddie Cherkose
From Sam Katzman's "Banner Productions" (of Bela Lugosi and East Side Kids fame--in one scene the movie poster from Katzman's Lugosi film "Bowery At Midnight" is seen in a theatre lobby) comes this vaudeville "review" which mixes up on-stage comedy and music with backstage antics (featuring, among others, the dynamic comedienne Iris Adrian, and in one of his final roles the great Harry Langdon as a stage director) and a plot about the rise and success of an ill-matched vaudeville duo, Frank Fay and Billy Gilbert.
It was the first of a four picture contract comic actor Billy Gilbert signed with Monogram Pictures. Butch and Buddy, the team who appeared with Gilbert at Universal, travelled with them.
The film begins with Fay sneaking out of a hotel without paying, but getting caught. He goes to get a haircut from barber Billy Gilbert, and after trying to cheat Gilbert out of money, Fay and Gilbert become friends when Fay visits his home and hears him sing. They create an act together, and the film charts the gradual success of their act. As they play various venues, we see various little-remembered music and comedy acts (The Three Radio Rogues, who do impressions, Wee Bonnie Baker ("the tiny little girl with the tiny little voice"), Henry King's swing band, etc.) doing their acts.
Order this rarely-seen and hard-to-find classic today for the low price of $5.99.
New Additions At Zeus:
Border Law (1931)

Stars: Buck Jones, Lupita Tovar, Jim Mason

Jim Houston (Buck Jones)resigns from the Texas Rangers so he can cross the border into Mexico and devote all his time to the capture of Shag Smith (Jim Mason) and his bandit gang who have murdered Jim's young brother, Bob (Don Chapman.) Using the alias of the Pecos Kid, a bandit he recently captured, Jim crosses the border with his pal, "Thunder" Rogers (Frank Rice and finds Smith and his gang at a cantina. Smith thinks about inviting Jim/The Pecos Kid with joining his gang but is persuaded not to by his henchman, Dave, (Lou Hicks), who hates Jim because of the latter's success with Tonita (Lupita Tovar), the cantina dancer. Jim plots to get Smith and his gang to cross the border into Texas in order to arrest them.
Best Foot Forward (1943)

Stars: Lucille Ball, William Gaxton, Virginia Weidler

Five original cast members of the hit Broadway musical Best Foot Forward appear in this Technicolor MGM screen adaptation. Set at a small town military prep school, the story gets under way when movie star Lucille Ball (played by movie star Lucille Ball) pays a visit to the campus for publicity purposes. Several of the students, led by Bud (Tommy Dix), offer to make Lucille the queen of the upcoming prom. But the plot dictates that Bud and his pals are forced to back off from their offer, and to hide Lucille's presence from the faculty. Cast as a hoydenish blind date, Nancy Walker steals the show with her spirited rendition of "Buckle Down, Winsocki"; but of the five carryovers from the original Broadway production, only June Allyson went on to lasting film stardom. Enhancing the film's box-office appeal was MGM's decision to add Harry James and His Music Makers to the cast: James' performance of "The Two O'Clock Jump" is worth the admission price in itself.
After The Thin Man (1936)

Stars: William Powell, Myrna Loy, James Stewart

This second of MGM's Thin Man films reteams William Powell and Myrna Loy as, respectively, bibulous private detective Nick Charles and his socialite wife Nora. The Charleses are sucked into another murder case via Nick's lovely cousin Elissa Landi, whose husband Alan Marshall has vanished. Hubby has been conducting an affair with nightclub thrush Dorothy McNulty (later known as Penny Singleton) and is also blackmailing gangsterish Joseph Calleia. When the corpses begin piling up, Nick and Nora try to piece the clues together, with the earnest assistance of Jimmy Stewart, who carries a torch for Landi. You won't believe who turns out to be the murderer in this one--then again, given the plot's strict adherence to "least likely suspect" formula, you probably will.
Born To Love (1931)

Stars: Constance Bennett, Joel McCrea, Paul Cavanagh

A WWI American nurse stationed in London (Constance Bennett) meets a handsome flier and finds only sorrow in this three-hanky melodrama. She gets pregnant; then the flier disappears during a mission and she must bear her child alone. Time passes and eventually, she reluctantly agrees to marry a disabled British officer. Not long afterward, her true love reappears (not dead, after all) and many complications ensue.
Best Of The Bad Men (1951)

Stars: Robert Ryan, Claire Trevor, Jack Buetel

Though RKO Radio Pictures was, in 1951, still faithful to the concept of "B" westerns starring Tim Holt, the studio was more than capable of turning out an "A" oater from time to time. Best of the Badmen stars Robert Ryan as a former Union officer who persuades a fictional vigilante group which closely resembles Quantrill's Raiders to lay down their arms and seek out new and honest lives. Ryan is undercut by shifty Pinkerton man Robert Preston, who wants to collect the rewards on the heads of the ex-vigilantes; to that end, he frames Ryan for murder. With the help of Preston's embittered wife Claire Trevor, Ryan escapes and turns outlaw with the men whom he'd earlier convinced to turn honest. Best of the Badmen was produced in Technicolor, enhancing its already potent box-office appeal.

A-Haunting We Will Go (1942)

Stars: Stan Laurel, Oliver Hardy, Dante

Laurel & Hardy's second starring vehicle for 20th Century-Fox is arguably their weakest feature film, with the laughs few and far between. Broke as usual, the duo is given 24 hours to get out of town by the local constabulary. In dire need of travelling expenses, they take a job accompanying a coffin to Dayton, Ohio. Unbeknownst to our heroes, the coffin contains a live gangster: one Darby Mason (James Bush), who wants to get to Dayton to claim an inheritance without risking arrest by the Feds. Chugging towards their destination by train, Stan and Ollie lose their money to a pair of slick con artists but are bailed out by another passenger, Dante the Magician (played by "himself", aka Harry A. Janssen), who takes a liking to the boys and hires him as assistants for his magic act. It so happens that one of Dante's illusions involves a coffin -- and you guessed it, this coffin gets mixed up with the one bearing Darby Mason. Aside from a few slapstick contributions to Dante's stage act, Laurel & Hardy barely have any purpose in this picture at all: to paraphrase L&H buff Randy Skretvedt, the two comedians have been reduced to supporting players in their own film.
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